At a brisk 45 minutes, 7 Days in Hell feels more like a Saturday Night Live sketch than an actual film. However, that brevity is the project’s saving grace.
Sen. Bernie Sanders is not boring. That’s the thesis — and title — of a recent Funny or Die video starring comedian James Adomian. The two-minute video, released on the comedy website on June 22, has since gone viral, making Adomian the early front-runner for best Sanders impression of the 2016 election cycle.
Given the torturous history of its production. I was unsure what to expect going into Ant-Man, the latest installation in Marvel’s vast universe of films. In development for more than a decade, with multiple script rewrites and a very public change in directors, there was a lot to be nervous about. Sitting in the theater last Thursday, however, my fears were quickly allayed. Rest easy, true believers; Ant-Man is pretty darn good.
When Seinfeld premiered in July of 1989, critics and audiences didn’t quite know what to make of it. Everything about it ran counter to what traditional sitcoms looked like up to that point. The characters were self-absorbed and petty. The tone was often cold and mean spirited. Episodes featured mundane stories with low-stakes conflict. It was also funny and smarter than just about anything on TV at the time.
After a second season that felt like a bit of a slog, Orange is the New Black has delivered a third that reaffirms everything I love about this series. It was funny, smart, poignant, and, at times, gut wrenching — often all within the same episode.
This week let’s check back in with some of the sitcoms we reviewed this season.
The new FX series The Comedians is a show within a show within a show, making it the turducken of current sitcoms. It’s an apt analogy since the show is kind of a turkey.